Abstract:
The purpose of the thesis is to elucidate the Romanian specifics of interwar expressionism and post-war neo-expressionism, exhibited in various generations of creation (the sixties generation, the eighties generation, the two thousands generation). The novelty of the research is revealed by the fact that it proposes a reconsideration of Romanian expressionism from a phenomenological perspective, by highlighting the new trend it generated – neo-expressionism, as an important typological direction in postwar Romanian lyric poetry manifested in different poetic languages.
